Muscle Shoals Studios Closes
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Muscle Shoals Studios Closes
http://tinylink.com/?9lkO870CN0
Muscle Shoals Shuts Down
Alabama studio birthed Dylan, Stones, Aretha records
Muscle Shoals Sound Studios, the Alabama venue where Aretha Franklin, Bob Dylan, Wilson Pickett, the Rolling Stones and Paul Simon all made classic records, has closed its doors forever.
"It's a sad day in America," says producer, session musician and arranger Al Kooper. "So many great records were made there. The musicians, engineers and the magic of the room made it special."
Muscle Shoals Sound Studios was founded in 1969 in an old Sheffield, Alabama, casket warehouse by musicians Barry Beckett, Roger Hawkins, David Hood and Jimmy Johnson, who doubled as its famous house band, the Muscle Shoals Rhythm Section (a.k.a. "the Swampers," as immortalized in Skynyrd's "Sweet Home Alabama"). Their first client was Cher, who recorded her 3614 Jackson Highway album there, and named it after the studio's address.
Atlantic Records producer/executive Jerry Wexler was an early supporter, booking many of the label's artists into the studio. "It seemed we could do nothing but make good records: Wilson Pickett, Aretha Franklin, Willie Nelson -- Lulu came from England," says Wexler. "We had this little hideaway, this little retreat with these really terrific musicians, these incredible white boys who played the blues so authentically that it caused a lot of head-scratching. The best part of my career was not the gold records or the Hall of Fame or awards -- it was hearing the music being recorded live at that time."
After more than three decades of operation, the studio -- which moved to a 31,000 square-foot building on the banks of the Tennessee River in 1978 -- recorded its last sessions in December and shuttered on January 14th because of declining business. The two Neve consoles have been sold to studios in Los Angeles and Detroit, the studio owners are exploring donating memorabilia to the Rock & Roll Hall of Fame, and a local film production company has purchased the property.
"It almost brought me to tears when I had to do this," says co-owner Wolf Stephenson, who, along with his two fellow executives of blues/gospel label Malaco Records, purchased the studio from the Rhythm Section members in 1985. "It's heartbreaking."
"It's a strange thing," adds Hood. "All of a sudden, the gold records are down off the walls . . . I'm not sure I know what to think yet."
However, for artists like Bob Seger -- who, after hearing the Rhythm Section's work on Arthur Conley's "Sweet Soul Music," recorded five albums at Muscle Shoals -- it was not the building but the band that made the studio special. "Muscle Shoals did the ballads like 'Main Street' much better than my band," Seger says. "The wonderful thing about them is the second you started playing the song, it sounded like a record."
Another attraction was that the studio's small-town location was far away from big-city distractions and prying eyes. "The town never impinged upon anyone," says Wexler, recalling a day when the Rolling Stones ordered breakfast at the local Howard Johnson's. "One little waitress said, 'Are you a group?' One of the members said, 'Yeah, we're a group. We're Martha and the Vandellas.'"
Scottish-born rocker Mark Knopfler, who first recorded with Bob Dylan at the studio, found the cuisine somewhat lacking. "Jerry introduced me to salted ham and grits," he says of Wexler. "I don't understand grits. To me, they always tasted like wet newspaper." But, for Knopfler, recording at Muscle Shoals made it all worth it. "Laptops and home stations are fine, but it's another thing to be in a proper recording studio full of creative people all sharing in the same piece of music at the same time."
Hood, whose son Patterson fronts the Drive-By Truckers, maintains that all that magic still resides in Alabama. "I don't want the closing of Muscle Shoals Sound to make anybody think that music is no longer happening here," he says. "It's been happening since before I started, and it's still going on today. It was always the people."
BEVERLY KEEL
Muscle Shoals Shuts Down
Alabama studio birthed Dylan, Stones, Aretha records
Muscle Shoals Sound Studios, the Alabama venue where Aretha Franklin, Bob Dylan, Wilson Pickett, the Rolling Stones and Paul Simon all made classic records, has closed its doors forever.
"It's a sad day in America," says producer, session musician and arranger Al Kooper. "So many great records were made there. The musicians, engineers and the magic of the room made it special."
Muscle Shoals Sound Studios was founded in 1969 in an old Sheffield, Alabama, casket warehouse by musicians Barry Beckett, Roger Hawkins, David Hood and Jimmy Johnson, who doubled as its famous house band, the Muscle Shoals Rhythm Section (a.k.a. "the Swampers," as immortalized in Skynyrd's "Sweet Home Alabama"). Their first client was Cher, who recorded her 3614 Jackson Highway album there, and named it after the studio's address.
Atlantic Records producer/executive Jerry Wexler was an early supporter, booking many of the label's artists into the studio. "It seemed we could do nothing but make good records: Wilson Pickett, Aretha Franklin, Willie Nelson -- Lulu came from England," says Wexler. "We had this little hideaway, this little retreat with these really terrific musicians, these incredible white boys who played the blues so authentically that it caused a lot of head-scratching. The best part of my career was not the gold records or the Hall of Fame or awards -- it was hearing the music being recorded live at that time."
After more than three decades of operation, the studio -- which moved to a 31,000 square-foot building on the banks of the Tennessee River in 1978 -- recorded its last sessions in December and shuttered on January 14th because of declining business. The two Neve consoles have been sold to studios in Los Angeles and Detroit, the studio owners are exploring donating memorabilia to the Rock & Roll Hall of Fame, and a local film production company has purchased the property.
"It almost brought me to tears when I had to do this," says co-owner Wolf Stephenson, who, along with his two fellow executives of blues/gospel label Malaco Records, purchased the studio from the Rhythm Section members in 1985. "It's heartbreaking."
"It's a strange thing," adds Hood. "All of a sudden, the gold records are down off the walls . . . I'm not sure I know what to think yet."
However, for artists like Bob Seger -- who, after hearing the Rhythm Section's work on Arthur Conley's "Sweet Soul Music," recorded five albums at Muscle Shoals -- it was not the building but the band that made the studio special. "Muscle Shoals did the ballads like 'Main Street' much better than my band," Seger says. "The wonderful thing about them is the second you started playing the song, it sounded like a record."
Another attraction was that the studio's small-town location was far away from big-city distractions and prying eyes. "The town never impinged upon anyone," says Wexler, recalling a day when the Rolling Stones ordered breakfast at the local Howard Johnson's. "One little waitress said, 'Are you a group?' One of the members said, 'Yeah, we're a group. We're Martha and the Vandellas.'"
Scottish-born rocker Mark Knopfler, who first recorded with Bob Dylan at the studio, found the cuisine somewhat lacking. "Jerry introduced me to salted ham and grits," he says of Wexler. "I don't understand grits. To me, they always tasted like wet newspaper." But, for Knopfler, recording at Muscle Shoals made it all worth it. "Laptops and home stations are fine, but it's another thing to be in a proper recording studio full of creative people all sharing in the same piece of music at the same time."
Hood, whose son Patterson fronts the Drive-By Truckers, maintains that all that magic still resides in Alabama. "I don't want the closing of Muscle Shoals Sound to make anybody think that music is no longer happening here," he says. "It's been happening since before I started, and it's still going on today. It was always the people."
BEVERLY KEEL
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land_shark3
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Re: Muscle Shoals Studios Closes
Ahhhh, I love the South! Sounds like I need a Southern breakfast tomorrow.Article wrote:"Jerry introduced me to salted ham and grits," he says of Wexler. "I don't understand grits. To me, they always tasted like wet newspaper."
It's your world, I'm just living in it! 
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land_shark3
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iuparrothead
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st.somewhere
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iuparrothead
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Parrot Monkey
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You really seem proud of yourself for your "discovery". Look, we know you know his first name, and that’s really good for you.st.somewhere wrote:Ahem... His name is "Jonathan".![]()
Invading someone’s privacy and finding out their first name isn’t finding the Ark of the Covenant, it’s childish and the fanfare over it is really getting annoying.
Sorry, I’m just being honest here.
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Touch O Parrotdise
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st.somewhere
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I guess the saddest thing in all this is that I know you're right and yet, for some unexplainable reason I don't care... Maybe I need to go to church or sumthin'...Parrot Monkey wrote:You really seem proud of yourself for your "discovery". Look, we know you know his first name, and that’s really good for you.st.somewhere wrote:Ahem... His name is "Jonathan".![]()
Invading someone’s privacy and finding out their first name isn’t finding the Ark of the Covenant, it’s childish and the fanfare over it is really getting annoying.![]()
Sorry, I’m just being honest here.
PS - No need for apologies...
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Parrot Monkey
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Well, I acknowledge I do that and do it on purpose, but it doesn’t bother me because I do it for a good cause, and I know that [almost] everyone will thank me for when it pays off someday and they see the physical products on the shelves, even though my cause gets limited recognition now.rednekkPH wrote:Yeah, it gets old real quick when someone just keeps saying the same thing over and over (and over and over), doesn't it?
Going on and on about invading someone’s privacy is a bit different from trying to help the artist’s (whose this boards namesake) albums (without, tell me, where would this message board, or parrotheads like yourself be?) get justice on the modern format.
Nice response rednekk, I was waiting for someone to deliver that clever line.
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rednekkPH
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We'll be thankful, alright...Parrot Monkey wrote: I do it for a good cause, and I know that [almost] everyone will thank me for when it pays off someday and they see the physical products on the shelves, even though my cause gets limited recognition now.
But it will be for what we don't see here, not what we do see on the shelves.

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tikitatas
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rednekkPH wrote:We'll be thankful, alright...Parrot Monkey wrote: I do it for a good cause, and I know that [almost] everyone will thank me for when it pays off someday and they see the physical products on the shelves, even though my cause gets limited recognition now.
But it will be for what we don't see here, not what we do see on the shelves.
I don't know what the reference to products on the shelves is about . . . .
Cate
"When you realize how perfect everything is you will tilt your head back and laugh at the sky." ~ Buddha

"When you realize how perfect everything is you will tilt your head back and laugh at the sky." ~ Buddha

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Parrot Monkey
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Maybe you will be persistently apathetic (about the condition of the albums that, like I said before, made you the PH you are) like that, but there will be many who will realize that what I’ve been doing here for 15 months is in the best interest of Jimmy’s music when they compare the new to the old.rednekkPH wrote:We'll be thankful, alright...
But it will be for what we don't see here, not what we do see on the shelves.
So thanks for your “support”, and remember it was you who brought it up in this thread, not me. I had no plans for this to make the transformation into an MCA protest thread.
Believe me, I'll be thankful when I can stop posting about this too, but I'm not giving up.
Last edited by Parrot Monkey on February 21, 2005 9:46 pm, edited 2 times in total.
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Parrot Monkey
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Do you own any of Jimmy's albums from 1973-1985 on CD? Take one, any one, off your shelf and look through the insert.tikitatas wrote:I don't know what the reference to products on the shelves is about . . . .I'm outta the loop with this line of quibble.
Then look at the corresponding images for that album on these pages:
http://www.************.com/p_albums_70.html
Understand my cause?
My mission is to get CD releases out there that have adaptations of the original LP packages.
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st.somewhere
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HsvParrothead
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ODD... I live an hour and half from Muscle Shoals.... Nothing on the local news... but come on here and someones already on it
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