The singer who accompanied Jimmy on Gulf Coast Highway was Kathleen Stieffel, the wonderful lead singer from my band Evangeline..she's from Bay St. Louis, Mississippi, guitar player and I are from, and band was based in ~ New Orleans. I was the genius brain

who was working my butt off playing piano and singing harmonies on Bourbon Street (and I, cough cough, still am...

) Anyway - it occurred to me, that instead of being just another token female in just another Bourbon Street "cajun-y" country band, wouldn't it be a great idea (and potentially earn us more than 10 bucks a set,) if we banded together and formed our own all girl country/cajun style band!?!

Well, actually it occurred to me AND the lead singer in that band (this band had 2 token females,) so singer Jane Pharr and I decided to walk down the street from our gig at the 500 Club and ask guitar player and harmony singer Rhonda Lohmeyer, who was working in "The Silver Spur Band," I believe at a place called "Your Father's Mustache," right next door to Big Daddy's strip club, complete with a mechanical bull in the courtyard for the strippers, to get people in on slow nights. This was all holdover "outlaw" style music post-Urban Cowboy era music. But Jane and I were singing a lot of Emmy Lou Harris, Nicolette Larson, CCR kind of stuff. Rhonda was game, so we rehearsed some 3 part harmony stuff, and booked a steady gig at the Old Opera House on Bourbon and Toulouse. We couldn't afford a bass player or drummer yet, so I played keyboard bass with my left hand and we used Rhonda's drum machine. On the first day of that first steady gig, I threw the idea of the name out to them,
EVANGELINE, like the Robbie Robertson sung so sweetly by Levon Helm AND Emmy Lou Harris. Also like Evangeline, the cajun woman from the Longfellow poem, and like the parish and Evangeline oak tree, and the more I thought about it in the months to come, the more references kept popping up. It was the perfect name! Well, after several years of hard work, thousands of hours of stage time together, a few personnel changes ~ Jane gone to Georgia, N.O. singers Carolyn Odell and Suzy Malone in and out, never could find a female drummer in New Orleans back then, so we hired some of the finest man-drummers in the city, thanks to my then husband, the late Mike Polopolus, who was the house recording engineer at Allen Tousaint's SeaSaint Studios. One Sunday, while Mike was mixing sound for Cajun singer/accordionist Bruce Daigrepont's weekly Cajun Dance Party at Tipitina's Uptown, Mike found us the perfect bass player - Sharon Leger,
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20 years old, pretty, talented "prairie" cajun gal from Marksville, Louisiana (also the hometown of former Louisiana governor and ex-con, Edwin Edwards.

) Around the same time, Rhonda and I discovered a singer with a simply golden country voice, (and as Rhonda remarked, the first Evangeline member with "
curves") We heard her singing with singer/guitarist/pedal stell player, Dwight Breland, and hit songwriter/singer/guitarist Karol Winton's great country band called Mississippi South, at Bronco's, a dance hall club on the west bank of the river from New Orleans. To our good fortune, Kathleen was getting ready to leave both that gig and the city, to pursue her career in Nashville.So we nabbed her...
Kathleen would turn out to be the perfect singer for Evangeline, and now with Rhonda on low harmony and me on high harmony, we developed a really pristine vocal harmony chemistry. ![whistle [smilie=whistle.gif]](./images/smilies/whistle.gif)
We hired Allen Toussaint's studio manager, Mary Ledbetter, as our manager, won local "Jazz Search contest, played N.O. Jazz Fest, made it to the Nashville for finals of contests sponsored by True Value Hardware and Marlboro ~ (Brooks & Dunn took first place,) opened shows at arenas for Alabama, Restless Heart, Patty Loveless, Ronnie Milsap, passed over production deal offer (no!!!!
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I got out-voted! bands...

from legendary producers Ray Bunch & Mike Post, who were in town for a taping of the Dolly Parton Show that my ex happened to be engineering with and slipped them our cassette, etc., at one point in about 1988, Bruce Springsteen

actually came into one of our many house gig Bourbon St clubs after making a bet with wife Patty Scialfa over whether it was live or memorex, lol, Patty being quite impressed that a bunch of women could rock out and hold down a music gig and raised a whole bunch of children simultaneously, which she later did herself! (but with nannies...) Well as far as the band Evangeline, as with all bands, things got weird on the journey and this writer found herself left out of a decision made by Rhonda (guitar) and Kathleen (vocals, as in Gulf Coast Highway,) to hire un-Cajun fiddle player and "un-country" keyboard player, leaving me out in the cold,to "un-reap the rewards of hard work and making great music"
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um, a couple of months before our friend and Jazz Fest founder, Quint Davis, brought Jimmy Buffet to the Bourbon Street bar where he naturally signed "us" up to a multi cd deal with a major label and a massive tour opening up for him on the road with "our" own tour bus..., but "I" was no longer "my band's keyboard player." A couple of years later, my interview with their manager in the ladies room of the House of Blues proved that indeed, "the seasons change the jobs would come the flowers fade." And how! I still love the song! I've played some fantastic gigs, I'm still playing! I live in the Musician's Village! Oh, I've worked with the girls in the years since, and have been told they made a very bad decision concerning yours truly.
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but ya know, "when we die we'll say we'll catch some blackbird's wing, then we will fly away
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to heaven, come some sweet bluebonnet spring." I think Kathleen and Jimmy did a great job with the song, as did Nanci Griffith and Mac McAnally. Hmmm, I'm going to start singing this beautiful duet with my fiance' and musical duo partner, singer/guitarist Frank Fairbanks, at our gig at Tropical Isle on Bourbon and Orleans.
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Wow ~ I just remembered another serendipitous Jimmy Buffet event ~ when I was about 15 years old, I was volunteering at Tulane University's McAllister Auditorium as a stage hand. The place seats about 2,000 people, I believe. Anyway, when everything was set up and it was time for sound and light check, Fingers asked me to sit at the piano and he stood in the spot where he would play harmonica. I started playing a blues song and the Coral Reefer band joined in with me, and that was pretty much the sound check, and I thought that it was really a nice thing for those guys to do for a teenager just starting to get out and play. (that was a little under 40 years ago, lol)
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