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Posted: December 15, 2004 7:52 pm
by Ilph
You can also listen to her entire album on CMT.com.

http://www.cmt.com/artists/az/merritt_t ... lbum.jhtml

Click on listening party

Posted: December 15, 2004 8:11 pm
by conched
Here is another site with some songs from Bramble Rose.

http://www.strictlybluegrass.com/2002/a ... ftMerritt/

I listened to that CD over and over too.

Image

Posted: December 15, 2004 8:25 pm
by conched
Jahfin wrote:
conched wrote:Got it...love it. It's nice to hear the local station playing Tift in Texas.
Having seen her play down there quite a few times now I must say they love her just as much in her home state as they do here in NC.
Understandably loved in Texas...she WAS born in Houston. :)

Wanna listen to a great npr interview?

http://www.npr.org/templates/story/stor ... Id=4146090

Click on listen. Her comment about Rocksoul Throwdown reminded me of Jimmy saying..."There's a thin line between Saturday and Sunday morning."

Posted: January 20, 2005 5:44 pm
by Jahfin
Tift will be on The Tonight Show with Jay Leno on Friday, January 28.

Posted: January 20, 2005 6:50 pm
by a1aara
Pretty lady. Pretty voice.

Posted: January 20, 2005 9:52 pm
by conched
Jahfin wrote:Tift will be on The Tonight Show with Jay Leno on Friday, January 28.
Cool.

Tift is in Austin this weekend two nights at STubbs BBQ. REK is also in Austin at the Paramount...hmmmm. Just a two hour drive!

Posted: January 20, 2005 10:14 pm
by tikitatas
It is thanks to Jahfin back in the fall that I really became a fan of this talented woman's voice. :)

Posted: January 20, 2005 10:19 pm
by Jahfin
conched wrote:
Jahfin wrote:Tift will be on The Tonight Show with Jay Leno on Friday, January 28.
Cool.

Tift is in Austin this weekend two nights at STubbs BBQ. REK is also in Austin at the Paramount...hmmmm. Just a two hour drive!
I hope you're able to catch her. Opening up the show is Tres Chicas, another great alt.country band from NC featuring Caitlin Cary (ex-Whiskeytown), Lynn Blakey (Glory Fountain, Oh OK, Let's Active and lots of other wonderful bands). The third Chica, Tonya Lamm (ex-Hazedine) is not with them on this jaunt so the very capable Sara Bell (Regina Hexaphone, Shark Quest) is filling in. You can hear some sound samples and a very nice NPR interview at their web site here:

http://www.treschicas.org

Posted: January 27, 2005 4:05 pm
by Jahfin
Grammy nod puts native Texan in fast lane

Malcolm Mayhew
Fort Worth Star-Telegram
Jan. 26, 2005 04:40 PM

Tift Merritt's Nashville-based record label, Lost Highway, has turned
her career into an open highway.

The Houston-born, North Carolina-based singer/songwriter released one
of last year's most anything-goes record, "Tambourine," an album
carved out of gospel hymns, folky guitar strums, '60s soul and
hard-rock riffage. No way, she says, would another record company give
her such wide open spaces.

"I'm the best example of how cool they are," says Merritt, who turned
30 last week. "To let a nobody like me do what they want, that's
really awesome."

Lost Highway received a nice payback for allowing Merritt to run amok
in the studio: "Tambourine" just got a Grammy nomination for best
country lbum.

"I didn't even know the nominations were that day," she says, calling
from New York, where she says she's shopping for a Grammy dress. "I
just thought to myself, 'That's one thing I don't need to worry about,
getting nominated for a Grammy.' I'd been with my family that day and
was checking my e-mail, and they all said 'Grammy' in the subject line
so I thought, 'I guess someone we know got nominated.' Then I opened
them up, and I was like, 'Oh, my Lord.' We had a great party that night."

But Merritt's record is definitly a sheep among wolves; "Tambourine"
is going up against efforts by Tim McGraw, Keith Urban, Gretchen
Wilson and the almighty Loretta Lynn CD, "Van Lear Rose," which turned
up on several critics' top 10 lists and ushered in a whole new wave of
interest and respect for Lynn; Merritt says she doesn't stand a chance.

"I just feel like I've already won, to be in that type of company, to
have my record beside Loretta Lynn's and these arists who have done so
well," she says. "I feel very honored. Somebody really went out of
their way to get my record on there."

"Tambourine," which features appearances by Maria McKee and Gary
Louris, is a big leap from Merritt's debut, "Bramble Rose," a terrific
record but a very different one. Whereas "Tambourine" seems to have a
short attention span for any one genre, "Bramble Rose" pretty much
stuck to one: alternative country.

"When I tured behind "Bramble Rose," I was out there for six months
straight - and I'd never been on the road to that extent," she says.
"What I wanted to do (with "Tambourine)" was to capture that sense of
joy and abandon of being in a band, to write songs that would hold a
lot of music, like our live show. I wanted to make sure that it was
soulful and genuine and not quiet but actually very, very loud."

While she credits "Bramble Rose" and its alt-country atmosphere for
getting her name out there, Merritt says there's no looking ack.

"I don't think limiting yourself is necessarily a good thing, at least
for me," she says. "All of my favorite artists have a love of blues,
folk, rock, gospel, and they can turn to any of those genres whenever
they want to. To me, all those genres are friends, and if you keep
them apart, the party's lame."

Posted: January 31, 2005 4:34 pm
by Jahfin
Live Review: Tift Merritt in West Hollywood. CA

by Richard Tafoya
liveDaily Contributing Editor


January 31, 2005 11:51 AM - Grammy nominee Tift Merritt raised the
roof at the venerable Troubadour nightclub on Friday (1/28), making
good on the promises that 2004's "Tambourine" laid out for her.

There are countless Nashville underdog b-movies that tell tales of a
genuinely talented artist running their marathon of empty clubs and
cynical record execs as they work up to their one big--hopefully
triumphant--shot at either artistic dignity or a hit single.
Merritt's Friday night set occasionally had the goosebumps feeling of
a Hollywood ending, coming on the tail end of critical raves
over "Tambourine" and headed into a major underdog challenge at
February's Grammy ceremony; the CD is nominated in the Best Country
Album category, going up against Tim McGraw, Loretta Lynn, Keith
Urban and Gretchen Wilson.

The country categorization is an odd fit for the album, which
ambitiously and seamlessly covers a range of styles from traditional
country to driving Tom Petty-style rock, gospel, Brill building pop
and blue-eyed soul. And as strong as the collection works on CD,
Merritt and her well-oiled band took several of the songs to a new
level on stage.

Opener "Ain't Looking Closely" set a "we're going to experiment a
little bit" tone for the evening with organ and guitar workouts that
evoked a late-'60s Santana vibe. Merritt brought in horns and backup
singers for the funk workout "Your Love Made a U-Turn," a mid-set
highlight. They returned near the end of the set for the Dusty
Sprigfield-esque "Good Hearted Man" and title-track "Tambourine," an
irresistible barn-burner, gospel-style rave-up.

But amid the sonic fireworks of the big-noise numbers, Merritt's
country roots shone, perhaps best showcased on the bittersweet
ballad "Plainest Thing," the prettiest moment on the album and a pin-
drop moment in the show.

In all, a standout show with the perfect chemistry of the right band,
the right material and a charismatic performer cranking up the
wattage. Highly recommended, at least for the ability to say you saw
Tift Merritt when she was still playing clubs.

Posted: February 1, 2005 2:48 pm
by LIPH
It was with some reservation that I listened to someone who thinks the Drive By Truckers and R.E.M. produce good music ( :lol: just kidding, a little anyway :lol: ) but I had some points saved up in the CD club I belong to so I decided to use some of them and get this CD for free. It came in yesterday's mail and I'm listening to it in my office right now. Pretty good stuff.

Posted: February 1, 2005 3:27 pm
by Jahfin
LIPH wrote:It was with some reservation that I listened to someone who thinks the Drive By Truckers and R.E.M. produce good music ( :lol: just kidding, a little anyway :lol: ) but I had some points saved up in the CD club I belong to so I decided to use some of them and get this CD for free. It came in yesterday's mail and I'm listening to it in my office right now. Pretty good stuff.
Glad to hear ya like it.

Posted: February 9, 2005 1:38 pm
by Jahfin
Rocky Mountain News

Roberto D'Este © Special to the News

Tift Merritt, who couldn't get airplay in her hometown, is nominated
for the country-album-of-the-year Grammy. "This record is not as
commercially successful as anything it was nominated with, so it's
very special. Someone is reaching out to us," says Merritt, who's with
her band at the Larimer Lounge tonight.
Rewarding Merritt

Singer sneaks into the Grammy pool with some big names

By Mark Brown, Rocky Mountain News

Tift Merritt is up for one of the biggest Grammy awards there is - and
the Grammys were so far off of her mind that she already had concert
dates scheduled elsewhere.

"We were completely taken aback. We had no idea the nominations were
even coming out that day - that's how much we didn't think we were
going to be any part of the nominations," she says. Her superb second
album, Tambourine, wasn't nominated for a secondary award like best
country vocal or collaboration; it was the big one, country album of
the year, putting her up against heavy hitters Tim McGraw, Loretta
Lynn, Keith Urban and Gretchen Wilson.

"This record is not as commercially successful as anything it was
nominated with, so it's very special. Someone is reaching out to us,"
says Merritt, who's with her band at the Larimer Lounge tonight. "I
got a really pretty dress. We had to cancel a couple of shows and get
a plane ticket."

Tambourine is much more eclectic than Merritt's lower-key debut album,
Bramble Rose. This time around, she works with all her influences -
not just country but soul, R&B, rock and more - making for an album
that ranges from the wild, swinging I Am Your Tambourine to the sad,
touching Plainest Thing.

Much of that freedom came from working with producer George
Drakoulias, famous for his work with Tom Petty, Maria McKee, the Black
Crowes and others. He was able to pull together musicians - including
McKee and Petty guitarist Mike Campbell - to flesh out the album
Merritt heard in her head.

"I've been wanting to work with George Drakoulias for 10 years. Maria
McKee is a hero of mine. Mike Campbell is a guitar god. This record is
the record I dreamed about making. Even before being nominated for a
Grammy, it was an enormous personal achievement for me," she says. "To
be in such amazing hands allowed me to relax and perform the best I
could."

Her voice blends particularly well with McKee's on songs such as Write
My Ticket.

"When I first started playing out in bars, someone bought me a tape of
(McKee's early band) Lone Justice," she says.

"Maria has such a talented and unique voice. She's so commanding when
she sings. To have her backing me up is almost an injustice to her,"
Merritt says with a laugh.

Merritt wrote all the songs on Tambourine, which she considers her
primary job.

She grew up on Bob Dylan and a plethora of songwriters but made it a
point as a young girl to seek out female songwriters such as Dolly
Parton.

"You try to find yourself somewhere in the music you're listening to.
I had Emmylou Harris' first record, I had Bonnie Raitt's first record.
I certainly sought out women songwriters to see how they went about
doing what they did," she says. "But I listened to a lot of Bob Dylan,
too."

She makes no compromises in her writing.

"You do need to be smart about what you do to keep your career going.
But my predominant thing is, I want to make work that I respect. So
I'm not out there going, 'OK, we need to make an easily identifiable,
easily categorizable record so everyone knows who we are.' I want to
make a record that tells who I am," she says.

With the Grammy nomination and increasing airplay, the world is
starting to figure out who she is. She also testified in front of a
Federal Communications Commission panel investigating radio
programming nationwide.

In her hometown of Raleigh, N.C., she couldn't get on the radio
despite selling big numbers locally.

"It's an important thing for musicians to really give an accurate
account of what that struggle is like. I think sometimes there's an
unrealistic idea of what it's like to be a musician," she says.

"For me it was a complicated thing. I was very grateful for my career
and the success I had. I didn't want to be in a position where I'm
complaining. But I'm a very accurate example of how regionalism does
not really exist in radio. I was selling a lot of records in North
Carolina, competitive with major acts. In Nebraska, who knows? But in
North Carolina I was a contender, and I could just not get on the
air."

Also nominated

• Tift Merritt's Tambourine is up against heavy hitters in the
country-album-of-the-year Grammy contest:

• Tim McGraw - Live Like You Were Dying

• Gretchen Wilson - Here for the Party

• Loretta Lynn - Van Lear Rose

• Keith Urban - Be Here Now

Mark Brown is the popular music writer. Brownm@R...
or 303-892-2674

Posted: February 9, 2005 1:46 pm
by a1aara
Have you seen her layout in the current issue of FHM? It's worth a look.

Posted: February 9, 2005 2:23 pm
by Jahfin
a1aara wrote:Have you seen her layout in the current issue of FHM? It's worth a look.
Someone mentioned it the other day. Goin' to the bookstore now. :D

Here's the write up from the FHM web site:

http://tinylink.com/?6hwgxRlo96

This 30-year-old from Raleigh, NC, earned a Grammy nomination for her latest effort, Tambourine.

Southern living
“I have a one-room surf shack on the Carolina coast, and it’s a very simple existence. I’ve been surfing for the past year and a half. By now, I’m getting to the point where it’s not embarrassing. I’m not wiping out every time, which I consider progress.”

Country beauty
“I have heard that I look like Gillian Anderson. I think she’s fabulous. I’ll take being compared to someone as pretty as her any day.”

Road warrior
“Being on the road is great. The hour and a half that you’re onstage makes everything worth it—the traveling, all the dirty laundry in your suitcase, being away from your family, all those things. You have a big celebration every night at about 10 o’clock. It’s like a birthday party.”

Posted: February 15, 2005 1:31 pm
by Jahfin
From the Raleigh News and Observer.com:

Merritt readies for her close-up
Raleigh-raised singer vies for a Grammy


Image
Andrew Cutraro for the News & Observer


Tift Merritt plays Friday at a St. Louis nightclub. Her second album, 'Tambourine,' is up for best country album at tonight's show.

By DAVID MENCONI, Staff Writer

Most of the 50 people who came to hear Tift Merritt sing at Borders Books and Music on Friday night in St. Louis wanted her autograph on a compact disc or a poster.

But a couple of girls wanted the backs of their T-shirts signed, and one of them, 10-year-old Alana Slavin, even brought along a homemade valentine to give to the Raleigh-raised singer: "I (heart) your songs!" the fan had written. "They are so good."

"Thank you so much," Merritt said as she signed the girl's shirt. And before she left the store, Merritt patiently smiled for every camera, signed every item, shook every hand and thanked everyone for coming.

The event was one more step on the journey that has taken Merritt from tiny Triangle clubs, to touring and critical acclaim for her singing and songwriting, to national media and TV appearances. Tonight, she'll be in Los Angeles at music's most prestigious awards show, the Grammys, as a nominee.

"Sure, it makes me tired," Merritt, 30, said after the bookstore event and before a St. Louis nightclub appearance. "But the people are so nice, and this ain't brain surgery. It takes more energy to be negative. I'm just worried it's all gonna end. Like Cinderella. The clock will strike 12 Sunday night, and that's it."

If that does happen, Merritt will have made the most of her time at the ball. She and her band have put 7,500 miles on their van since leaving Raleigh three weeks ago on the tour leading up to the Grammy Awards.

Merritt's second album, "Tambourine," is up for best country album. The music is more blue-eyed soul than the country of her 2002 debut CD "Bramble Rose," more like 1970s Bonnie Raitt than Loretta Lynn, who is one of her Grammy competitors. Keith Urban, Tim McGraw and multimillion-selling singer Gretchen Wilson complete the field.

The least-known of the nominees, Merritt is a long shot to win. But she'll get a few precious moments of screen time when her category is presented. She has a fancy new green dress for the occasion.

Crowds are growing

Just getting this far is an achievement. Merritt grew up in Raleigh and majored in English at UNC-Chapel Hill. Not too many years ago, she was working day jobs in Raleigh and playing The Cave in Chapel Hill or any other small venue that would have her.

Now she lives in Carolina Beach when she's not playing "The Tonight Show With Jay Leno" or the Sundance Film Festival. Her press has taken a leap, too, into papers including The Wall Street Journal and USA Today.

Merritt has handled the demanding, sleep-depriving schedule like a pro. Friday night, she had to gulp a quick dinner of sushi in the car on the way to Borders. Once there, she improvised with the mirror inside a camera for a quick makeup application in the stock room before her three-song set.

But the hard work is yielding bigger and more enthusiastic crowds. In St. Louis, Merritt played the 350-capacity Duck Room, where Rock and Roll Hall of Famer Chuck Berry regularly plays. After drawing only 60 people her last time through town, Merritt pulled a raucous sellout crowd Friday night.

The show was like a victory lap, and the crowd loved it and sang along. It reached a triumphant crescendo with "Shadow in the Way," the closing track to "Tambourine."

In the midst of leading the crowd in an old-school soul-style call and response, Merritt paused just long enough to savor the moment.

"I didn't even think I'd get this record made," she declared. "And I'm goin' to the Grammys tomorrow!"

One of the last songs Merritt sang in St. Louis was "When I Cross Over." A crossover is something Merritt is still seeking -- the elusive radio hit that would turn "Tambourine" into a mainstream success.

Big sales elusive

While Merritt is doing well and earning converts on the road, that has yet to translate into big sales. At 40,000 copies sold since August, "Tambourine" still hasn't surpassed the sales of "Bramble Rose." The album hasn't broken onto the Billboard charts, either. But it has been a steady seller on Amazon.com, cracking its top-100 sales list last week.

"To hover at that level and have some staying power takes consistent good news," said Pete Hilgendorf, senior music editor at Amazon.com. "Touring, good press, network television, Grammy nominations, attention from NPR. Any press is good press, and being on the Grammy show is really good press. Even if she doesn't win, I bet you'll see her higher on our sales list Monday morning than she is now."

Merritt is about 98 percent of the way there. The last 2 percent would be a hit on commercial radio. Thus far, she's still getting most of her airplay on noncommercial public stations. While that exposure might not seem like much, public radio and good word of mouth were all that recent breakout star Norah Jones had at first, too.

"She's not a hit yet," said John Schoenberger, an editor at the trade magazine Radio & Records. "But in general terms, she is further along as far as radio support and being embraced than she was with the first album."

One happy result of Merritt's higher Grammy-enhanced profile is that she has finally cracked commercial radio in her hometown. Merritt is one of the few current acts getting played on Raleigh's oldies-leaning adult-alternative station WRVA, 100.7-FM, alongside U2, Mindy Smith and Green Day. Adult contemporary station WRAL (101.5-FM) and WQDR (94.7-FM) are also giving Merritt some spins.

The WQDR airplay is particularly satisfying, since Merritt never made the station's playlist with her first album -- and testified about it in 2003 at a Federal Communications Commission hearing at Duke University about media deregulation. Program director Lisa McKay said Merritt is on WQDR because she's making more commercially viable music.

"There just wasn't a cut on ['Bramble Rose'] that we felt good about playing as a mainstream country station," McKay said. "There's nothing wrong with toiling in critically acclaimed oblivion, but she's leaning more mainstream with this record."

Just happy to be there

Winning a Grammy tonight would no doubt help Merritt in radio. But she and her family are realistic about her chances, and they're just thrilled to be there. Merritt's parents will be in the crowd at tonight's ceremony at the Staples Center, while Merritt will be on the floor of the arena with her drummer and boyfriend, Zeke Hutchins.

"My true hope is just to hear them say, 'And the nominees are,' " said her father, Robert Merritt, a lawyer in Raleigh. "And they'll say Tift's name -- probably last. I'll see her face for five seconds on the screen while they play one of her songs. She'll smile, Zeke will smile. And that's all we're hoping. Just that much would be wonderful."

During her pre-Grammy tour, Merritt has carried a reminder of her underdog Grammy status -- a photo of Johnny Damon, centerfielder for those perennial underdogs, the Boston Red Sox.

"Yeah, we're like the Red Sox going up against the Yankees in this," she said Saturday, as she boarded her afternoon flight to Los Angeles. As she made her way to her seat, Merritt walked by a man reading the story about her that ran in Friday's USA Today.

Of course, the Red Sox beat the Yankees last year. So Merritt is taking no chances when it comes to preparation.

"I have to write my speech," she said sheepishly, then laughed. "It's nothing I'm gonna stress about because I won't win -- I like what USA Today had to say about my chances: 'None' -- but I've got to have something ready just in case."

Even if tonight's Grammy glamour turns out to be as far as Merritt ever gets, it has been a fun ride.

"It's such a weird business," she said, sipping water shortly after takeoff. "I could be on the sidewalk in six months, although my musician friends all tell me, 'You've got some certainty now, you'll get to do another record.'

"But for now, I just appreciate flying to L.A. to be with my family and walk the red carpet at the Grammys.

"It's been so much fun since we got this nomination," she concluded. "A lot of champagne and friends calling. It's a happy thing to share. That's the part I don't want to end."

Posted: March 25, 2005 9:41 am
by Jahfin
Tift Merritt Arrives, Not a Month Too Soon

By Walter Tunis

Doesn't it just figure? You have a date set with the Americana girl of
your dreams and some guy named Elvis cuts in.

Well, maybe it's not so desperate as that, but local audiences had to
feel a little deflated when a Saturday night show by Tift Merritt at
The Dame was called off earlier this month. The Grammy-nominated
songstress had her reasons.

"I had, well, a small distraction come up," she said.

The distraction was an invitation by Elvis Costello for Merritt to
open a month's worth of concerts on his winter tour.

Next weekend, she is set to make things right with her Kentucky fans.
Merritt's band will remain in Las Vegas to celebrate its final concert
with Costello, but she will give a rare solo performance, her
Lexington debut, on Saturday as part of the Kentucky Women Writers
Conference.

"We still have many miles left on our Ford Econoline," Merritt said by
phone last week. "So I'm sure we'll be coming back through Kentucky
with the band sometime soon. This time, though, it's just going to be
me. Hopefully, I can pull the job off by myself."

Judging by the contained and confessional music of Merritt's 2002
album Bramble Rose, a solo setting seems only natural. The music on
last year's Tambourine, though, may pose a bigger challenge.
Lyrically, it conveys the country intimacy of Bramble Rose.
Stylistically, it boasts a huge, brassy soul attitude that recalls the
great Muscle Shoals sound of the late '60s.

"Bramble Rose was certainly very special to me," Merritt said. "But it
was a little tailored in mood. It's a little quieter. Our live shows
have always had a great deal of energy and sense of abandon. I wanted
to make sure Tambourine captured that."

Among the musical pals who get Tambourine shaking are Maria McKee,
Jayhawks chieftain Gary Louris, steel guitar dynamo Robert Randolph,
and a pair of Tom Petty's Heartbreakers, guitarist Mike Campbell and
keyboardist Benmont Tench.

Chalk some of the album's broad stylistic base to producer George
Drakoulias. Merritt said she waited nearly a decade to work with him.
But the singer also said the sounds she grew up with in North Carolina
-- from bluegrass to indie-pop -- helped shape the musical voice on
Tambourine.

"I think I will spend a long time realizing how important North
Carolina has been to my music," Merritt said. "It just surfaces
everywhere. I felt Bramble Rose had a lot to do with North Carolina,
so much so that I thought maybe I wouldn't write about it this time.
But lo and behold, I've made another record about North Carolina."

In Tambourine's plaintive hometown requiem Laid a Highway, Carolina
also creeps into Merritt's lyrics. She said much of her own life
figures in her songs, but neither of her albums is purely
autobiographical.

"I don't want to waste anybody's time with things that aren't of great
importance to me," she said. "I do write about my own life, about
people around me and the stories that touch me. I put a lot of myself
and my own heart in these songs. But they aren't journal entries.

"I don't know that you would be able to look at my songs and be able
to go, 'Oh, Tift went to the grocery store and had a fight with her
boyfriend that day.' There's more craft in the music than flippantly
talking about the superficial little things going on in my life."

Tambourine received a Grammy nomination last December for best country
album. It lost to Loretta Lynn's Van Lear Rose, but that hardly muted
the excitement.

"There was a lot of champagne and phone calls from friends," Merritt
said. "And what an amazing thing to give my parents. Their daughter is
driving around the country in a Ford Econoline, so I'm sure there has
been a question of, 'What is she doing?'

"Well, getting a Grammy nomination is a pretty great answer."

Posted: April 18, 2005 10:51 am
by Jahfin
Tift Merritt: A Heel Of a Singer

By Richard Harrington
Washington Post Staff Writer

THE TIFT MERRITT fan club -- mom and dad, her brother and his
fiancee, her manager, as well as boyfriend and band drummer Zeke
Hutchins -- all traveled to Los Angeles' Staples Center for
February's Grammy Awards. The North Carolina contingent hoped that
Merritt's recent "Tambourine" might win the Grammy for best country
album, though the odds of that happening were pretty long.

After all, the competition included red-hot newcomer Gretchen Wilson,
heartthrob Keith Urban, multi-platinum star Tim McGraw and country
legend and gender pioneer Loretta Lynn (the eventual winner for the
Jack White-produced "Van Lear Rose").

That award was aired, and CBS ran a snippet from Merritt's "Good
Hearted Man" video. At the after party, Merritt met Lynn for the
first time, "a pretty neat moment because I'm usually pretty shy
about meeting people that I admire. I was thrilled to be introduced
to her as a fellow nominee."

Funny thing is Merritt's 2002 solo debut, "Bramble Rose," would
probably have better fit the category than "Tambourine." While that
first album was clearly in the alt-country mold, "Tambourine" is just
a little bit country and a whole lot of South-enriched rock and soul,
full of the kind of sounds that used to come out of Muscle Shoals,
Ala., and Memphis in the late '60s and early '70s. Songs like "Good
Hearted Man," "Your Love Made a U-Turn" and "Ain't Looking Closely"
would have fit comfortably on a Dusty Springfield album during
her "In Memphis" phase.

"I love Dusty Springfield somuch," Merritt says from a Ford Econoline
wending through Oklahoma toward the end of a recent tour opening for
Elvis Costello. "I think that I sound like her when I'm hoarse and
have been singing a lot."

Or screaming a lot, as Merritt did during North Carolina's recent
march to the NCAA men's basketball championship.

Though Texas-born, Merritt has been in and around Raleigh, N.C., for
28 of her 30 years and graduated from the University of North
Carolina at nearby Chapel Hill.

"I'm a Tar Heel fan and have always been a Tar Heel fan -- I grew up
watching Michael Jordan play at UNC," Merritt declares, noting that
the band's van pulled over to the side of the road anytime a North
Carolina game was on TV.

As for the team's ultimate triumph, "I was ecstatic, though it was
torture," Merritt says. "I was on stage for the second half, so I
called my dad and put him on speaker phone and he narrated the end of
the game for us and the rest of the audience. They were very patient
with our fascination with the game."

The road was a major influence on "Tambourine." Merritt admits that
her debut was a tad hushed and introspective, elements that were less
dominant as her band toured behind the critically acclaimed album.

"I think 'Tambourine' is an extension of 'Bramble Rose,' not a
duplicate," she says. "It's very much the natural growth progression,
particularly for anyone who's ever seen me live."

Indeed, Merritt's shows have generally been much more lively, loose
and energized, qualities that producer George Drakoulias captured
on "Tambourine," which also featured such stellar guests as guitarist
Mike Campbell and keyboard player Benmont Tench from Tom Petty's
Heartbreakers, steel guitar wiz Robert Randolph, former Lone Justice
singer Maria McKee and Gary Louris of the Jayhawks. The band, not the
rival basketball program once headed by North Carolina coach Roy
Williams.

"We played in Kansas once, and I gloated that we had won Roy Williams
from the Jayhawks. It didn't go over too well," Merritt says, without
remorse.

"I wanted to work with George for years and years," says Merritt of
the producer known for his work with Petty, the Black Crowes and Lone
Justice. "One of the things George is so great at is an ability to
make roots records that are at the same time very intense and very
emotionally charged. As a performer, that's really exciting, and I
wanted to capture that energy in my songs, and I knew he would be
able to make that happen.

"And to work with Maria McKee, Gary Louris and Mike Campbell was
nothing short of being in a room with my heroes, so to have this
record get nominated for a Grammy was a whole lot of icing on the
cake. We worked hard and we were rewarded, and I don't know that it
always works exactly like that."

Those studio guests won't be supporting Merritt during her two-night
stand at the Birchmere's Bandstand this weekend. Instead she'll be
bringing Hutchins, who first encouraged Merritt to form a band, the
Carbines, after they met in an American studies class in the
late '90s; bassist Jay Brown, who's been with her six years;
keyboardist Dan Eisenberg; and guitarist Brad Rice.

Two former Carbines, Dave Wilson and Greg Readling, will be
performing with opening act Chatham County Line. "They're great,"
says Merritt, adding, "Dave really needed to front his own band."

Which, incidentally, is not something Merritt was particularly
anxious to do even as she was becoming a fixture in North Carolina's
alt-country and roots music scenes in the late '90s, guesting with
John Howie's Two Dollar Pistols before recalibrating with the
Carbines. By 2000, Merritt had won the songwriting contest at the
annual Merlefest music festival and No Depression had dubbed her one
of "five emerging insurgents on the edge of center stage." Along the
way, the Carbines became Tift Merritt and the Carbines and eventually
just Tift Merritt.

"From the beginning, Zeke always told me it should just be my name,
but I wasn't ready to step up to the plate," says Merritt, who not
only sings but writes the material. "Now the way I feel about it, and
I think the way the guys feel about it, I'm proud that I sort of grew
strong enough to step out in front."

Which is a big improvement from Merritt's first foray into music in
1994. Her father, a lawyer and "closet musician," taught her guitar
basics -- "just four chords, said that's all you'll ever need -- G,C,
D and A minor, or maybe F." He also always encouraged me "to perform.
Like any father, he thought I should be a movie star or whatever I
wanted to be."

What Merritt hoped to become was a singer-songwriter in the manner of
Emmylou Harris, Joni Mitchell, Bonnie Raitt and Bob Dylan.

"I was playing bars, by myself, and waiting tables," she recalls. "I
was about 19 years old, and I certainly didn't know how to handle
drunk guys! I hadn't really found my confidence as a writer, either,
so I decided that the smartest thing for me to do would be to retreat
a little bit. I realized I was stuck so I went to [UNC] and studied
creative writing.

"And I did find my feet in that writing department. I didn't know
that was going to happen, I just knew that I didn't want to wait
tables."

Merritt says her teachers encouraged her "just to be creative and
write whatever I wanted to write, though I was writing short stories
and for the most part kept my songs to myself. But one of my teachers
was Bland Simpson, a Red Clay Rambler [and creative writing faculty
member at North Carolina since 1982]. He and I did some work on my
songwriting, and he encouraged me a whole lot."

"Actually, once my band started, some of my teachers would come to my
shows."

So did other folks as Merritt began performing around North
Carolina's student-rich Triangle region (it's home to Duke, North
Carolina and N.C. State universities). Three years ago, Merritt
opened for Ryan Adams, who recommended her to his manager, Frank
Callari, who signed her up when he became head of A&R at Lost Highway.

While there's a lot of role model Harris in Merritt's crystalline
soprano, she can also assume the raspy raggedness of label-mate
Lucinda Williams. That quality serves Merritt well on the new album,
particularly on the gospel-tinged "I Am Your Tambourine," the
roughhouse "Wait It Out" and the rootsy "Late Night Pilgrim"
and "Laid a Highway."

At North Carolina, Merritt had won a number of awards for her short
stories, and you can sense that craft in the songwriting,
particularly in Merritt's ear for dialogue and eye for small detail,
her gift for transforming the personal into the universal without
making it overly confessional. She may not always have been sure
about singing, but Merritt always felt she had something to say.

"The writer in me did have a question about getting on stage and
whether that was vain or frivolous," she admits. "But the more I've
done it and the more I've been on stage, it's something I enjoy and
something I'm good at, so I'm not going to turn that light off."

In fact, shyness has been replaced by confidence, to the point that
Merritt participated with seven other young female singers, including
Jessi Alexander and Jamie O'Neal, in a foldout cover and pictorial in
FHM, a lad mag not known for its coverage of country music.
Titled "Country Music's Sexy Stars," the story's headline
read "Presenting eight reasons to forgive the musical genre
responsible for Garth Brooks, line dancing and Hee Haw."

"They should take a long look because that's the only time that will
happen to me," laughs Merritt, who was the most clothed among the
aggregation of belly buttons, panties and bras. "I said no a lot, I
assure you. It's interesting as a performer to get pushed to your
boundaries, and I found them that day!"

Posted: April 20, 2005 4:30 pm
by Jahfin
For those in the vicinity of Beaufort, NC this weekend Tift will be headlining the Beaufort Music Festival this year. More info here:

More info here on this weekend's music festival:

http://www.thisweekmag.com/current/feat1.htm

Image
Tift Merritt

The 17th annual Beaufort Music and Performing Arts Festival will be held Friday through Sunday, April 22-24, throughout historic Beaufort. The festival, though this year promoted by a new organization, Beaufort By the Sea Presents, will feature everything to which folks have become accustomed, from local performers to nationally recognized artists.

The event kicks off with opening ceremonies at the N.C. Maritime Museum stage at 6 p.m. on Friday, April 22. The Southernaires will follow at 6:15 with sounds of the Big Band era. Then, the show goes on to include the "rootsy rock" sounds of the Laura Blackley Band. Local group Unknown Tongues will perform Zydeco on the Limelight Stage.

At 8 p.m. on the Main Stage, event headliner Tift Merritt (pictured) will perform some alternative country. The Grammy nominee crosses traditional genres to bring forth a unique sound. She rocks, she croons and she mixes them together at all the right times.

People magazine says, "Tift Merritt deserves to move from the fringes of stardom onto the A list of country-rockers."

On Saturday, April 23, events will include a mix of music from classic rock to swing and jazz to honky tonk. The Relics, the Robby Reid Band, the Carburetors, Two Guitars, Southern Gentlemen and Kitty West are just a few of those scheduled to perform.

From noon until 5 p.m. entertainment and children's activities including dueling shoes, dance and a percussive group performance are planned.

Entertainment continues on Sunday as the stages are filled with a plethora of musical sounds.

For more information about the festival and a full schedule of events, visit the Web site at http://www.beaufortmusicfestival.com.

SCHEDULE OF EVENTS


Friday, April 22

6 p.m. - Opening Remarks, NC Maritime Museum Stage

6:15 p.m. - Southernaires (Big Band) NC Mar. Museum Stage

6:15 p.m. - Laura Blackley Band (Rootsy Rock) Main Stage, Waterfront

7 p.m. - Unknown Tongues (Zydeco) Locals in the Limelight Stage

8 p.m. - Grammy Nominee Tift Merritt (Alternative country) Main Stage

Saturday, April 23

Main Stage Events (Waterfront)

Noon - The Relics (Classic Rock)

1:30 p.m. - The Robbie Reid Band (Blues)

3 p.m. - The Carburetors (Honky Tonk)

4:30 p.m. - Frankie Faucet and the Drips (Do-Wop)

6 p.m. - Michael Reno Harrell (Singer/Songwriter)

8 p.m. - L Shape Lot (Newgrass)

Locals in the Limelight Stage Events (Waterfront)

11 a.m. - Ain’t Misbehavin’ (Jazz Trio)

12:45 p.m. - Christina Bland (Folk)

2:15 p.m. - Two Guitars (Acoustic Guitar Masters)

3:45 p.m. - Brad Spires (Singer-Songwriter)

5:15 p.m. - Kitty West (Local Musical Legend)

7 p.m. - Woodshine (Mountain Music/Bluegrass)

NC Maritime Museum Stage Events

11 a.m. - Footworks (Dance Ensemble)

1 p.m. - Footworks (Dance Ensemble)

3 p.m. - Lucia & Levi (Island Music)

4 p.m. - Untravelled Road Band (Bluegrass)

West End Stage Events

12:15 p.m. - Dave Robert (Singer/Songwriter)

1:15 p.m. - Kesh (Celtic Music)

2:45 p.m. - Brenda and the Ravens (Ethereal Harmonies)

4:45 p.m. - Swing Set (Swing and Jazz)

Beaufort Historic Grounds (Children’s Area)

12 to 5 p.m. - Entertainment and activities for children led by Kitty West

Noon - Connie Mason

1 p.m. - White Oak Elementary School Chorus

2 p.m. - Mojo Collins

3 p.m. - Dueling Shoes

4 p.m. - Uncle Sam the Stiltwalker

Sunday, April 24

Main Stage Events (Waterfront)

12:30 p.m. - Sue Luddeke (Folk)

1:30 p.m. - Samecumba (10 Piece Latin Band)

3:30 p.m. - Jon Shain Duo (Americana)

5:30 p.m. - Skeeter Brandon (Blues Legend)

Locals in the Limelight Stage Events (Waterfront)

Noon - Mike Hamer & Sue Luddeke (Folk music with Dulcimer)

2:30 p.m. - Southern Gentlemen (Barbershop Chorus)

4:30 p.m. - Fred Odell (Americana / Alt Country)

Grayden Paul Park, Front Street

2:30 p.m. - Special performance by Mt. Zion Baptist Church Choir

Posted: April 21, 2005 3:59 pm
by Jahfin
Country singer Tift Merritt will perform at the 17th annual Beaufort
By-The-Sea Arts Festival this weekend.


Country singer performs at Beaufort festival this weekend

Leonor Eggers
Freedom ENC

Tift Merritt has arrived. If no one had heard of her before February,
a lot of them certainly noticed when the singer-songwriter was
nominated for a Grammy for Best Country Album two months ago.

Competing with the likes of Loretta Lynn, Tim McGraw, Keith Urban and
new country queen Gretchen Wilson, Merritt's surprise nomination
proved she has what it takes to succeed in the music biz.

"It was a huge surprise," says the 30-year-old Merritt. "But, most of
all, it was a thrill to share the experience with my band and family."

The Grammy ultimately went to Loretta Lynn for "Van Lear Rose." But,
just to be put in the caliber of these artists was an incredible
accomplishment for the Houston native and coastal North Carolina
resident.

Merritt will perform as part of the 17th annual Beaufort By-The-Sea
Arts Festival this weekend. She will perform on the Main Stage Friday
at 8 p.m.

Released in August 2004, Merritt's latest album, "Tambourine," is a
unique compilation of songs that blend several genres of music. It's
hard to pin down exactly what style of music Merritt sings or
composes. Many brand her music as alternative country, but there are
also distinct elements of folk, blues, rock, R&B, roots and even
gospel. In fact, "Tambourine" is more of a rock-soul throw down that
hints of country.

What's great about Merritt's music is that it has such wide appeal.
And, her Grammy nomination in the country category may fool some
people who otherwise don't like country music. They may well enjoy
her unique soulful style.

"I think it's dangerous to classify yourself," says Merritt. "My
favorite musicians - Carole King, Van Morrison, Ray Charles - were
not afraid to use different genres in their music."

Merritt's career seemed to skyrocket after she won the popular and
competitive Chris Austin Songwriting Contest during the Merle Watson
Festival in 2000. Along with a helpful push to record execs from
fellow singer and Jacksonville, N.C. native Ryan Adams, a record deal
with Lost Highway soon followed her Merlefest win.

In June 2002, Merritt released her debut album, "Bramble Rose." It
received solid reviews, but Merritt stepped things up with the
release of her second album.

With the release of "Tambourine," Merritt's success has continued to
grow. A video for her rocking, soulful song, "Good Hearted Man," was
recently released on CMT. It was her second video release. She has
also appeared on "The Late Night Show with David Letterman."

Merritt just finished a brief tour in which she opened for Elvis
Costello and The Imposters. In fact, she has been touring for the
past nine months and that amount of time away from home, she said,
can be trying for anyone.

"I want to go home," admits Merritt. "I want to go home and write
when the mood strikes me."

Merritt didn't always want to be a writer of songs. She originally
attended the University of North Carolina at Chapel Hill with plans
to pursue writing books and novels. But playing the clubs and hanging
around the music scene of Raleigh, first with her band, the Carbines,
and then as a member of Two Dollar Pistols, showed Merritt which
direction her writing skills should go.

On "Tambourine," Merritt wrote 11 of the 12 songs on "Tambourine." "I
love the challenge of expressing how you feel," says Merritt of her
songwriting.

Merritt looks back on her college years of club playing as an
important period in her career. That period gave her the time she
needed to hone her skills in both songwriting and singing, and
reinforced her love for music.

"It was important to have the time to hang out and just play music,"
she says.

When asked what artists she listens to, Merritt says she doesn't keep
up much with what is current in today's music. She names the
Jayhawks, whose popularity peaked in the mid '90s, and says she likes
to listen to '70s music.

When asked who she would like to do a duet with if given the
opportunity, Merritt names Elvis Costello, Emmylou Harris and the
late Ray Charles. "I obviously can't do it now, but I would have
loved to have just been in the same room with (Charles)," she says.

When it comes to penning songs, Merritt says she likes to mold her
compositions with the influences of artists like Carole King, Van
Morrison, Ray Charles, Joni Mitchell, Emmylou Harris and Dusty
Springfield.

But don't ask her to select a favorite song from her new CD. That
would be like asking her to choose her favorite style of music out of
the many she enjoys.

Says Merritt, emphatically: "That's like asking someone who their
favorite child is."

For more information about Tift Merritt, go to www.tiftmerritt.com.