nycparrothead wrote:They're the opening acts for Barenaked Ladies and DMB on Saturday....
Any of them any good?
Robert Randolph & the Family Band a little too "jammy" for my tastes but Robert Randolph is one of the best pedal steel players I've ever heard. In an age when so many people seem to complain about a lack of quality players I don't see how he manages to go unnoticed. Imagine a combination of SRV and Hendrix and you'll get some idea how gifted he is.
Ray LaMontagne I bought his debut record earlier this year and while I like it well enough, there was nothing on there that really grabbed me, it is definitely a solid effort though. (See live review below)
Jem heard of 'em but have never actually heard their music.
Mike Doughty formerly of Soul Coughing, that's really all I know. I've read good things about his new record though.
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From Billboard.com:
Ray LaMontagne / April 2, 2005 / New York (Webster Hall)
By Ron Hart, N.Y.
If there was one lesson to be learned at Ray LaMontagne's April 2 show at Webster Hall, it was that acoustic-based troubadour music should not be booked at a dance club on a Saturday night. Particularly when the songs are as sensitive as the ones this Maine-based signer/songwriter performed at the venue formerly known as the Ritz.
But there's something to be said about Mr. LaMontagne's ability to keep his cool and take things in stride despite a 90-minute set undermined by the thumping bass from downstairs and side conversations at the tap bar. The technical difficulties that pockmarked the show didn't help matters either. But in spite of the false starts and distractions, it was the strength of the songs themselves that ultimately provided the basis for a memorable and mellow evening.
Following an impressive opening set by NYC-based multi-instrumentalist Sam Bisbee, LaMontagne sauntered up to the microphone with an acoustic guitar and performed the first couple of songs solo. The powerful opening number "Burn", which despite having to be performed twice after his microphone had cut out, provided a fine introduction to the rustic nature of his music, which imbues the values of such heroes as Stephen Stills and the Band's Richard Manuel.
The practice of kicking off a show solo acoustic is a concept that has done wonders for Neil Young and Bob Dylan. But unfortunately for LaMontagne, it merely displayed the monotony of his voice, which left some audience members quite bored. The addition of a string section, stand-up bassist and drummer mid-set kicked things up a notch, particularly during an impromptu cover of the Kinks' "Tired of Waiting For You" and a jazzy version of "Trouble," the popular title track to his 2004 RCA debut.
The strings particularly proved to be a most worthy inclusion, especially in the context of his newer songs, like "Ali You Should be a Married Woman Now," which sounded as though it could have been recorded for Elektra Records' folk division in the early '70s.
An extended version of the exceptional "Trouble" cut "Forever My Friend" was a highlight of the evening, which was closed out by a beautiful solo reading of "Can I Stay?", another new song that adds promise to LaMontagne's next album.
The shakey between-song banter and visible discomfort he showed during the tech glitches indicates Ray is still very much new to the public arena. However, the strength of the songs he totes underneath his classic-looking derby hat resonated enough to obscure the awkwardness that will no doubt shed itself in time.