The way I understand it - and I *have* been studying this - is that you need something absolutely awesome to break in. Once you're in, as long as there are enough people buying it, you can release crap to your heart's content.palmettopirate wrote:My experience has been that there are so many good, deserving artists out there who go un noticed, and some real crap that gets recorded, I am now a believer in pure dumb luck"
You beat me to it. I hear better stuff at my favorite beach bar than some stuff on the radio. I've read that it comes down to who's got the most money to get their stuff promoted and played. If you have enough and pay the right people it'll get out there. I've even seen reports on TV and read other reports that there's a criminal element in this game. I'm not talikng about Jimmy now or Mailboat so don't get excited. Sure, there are talented folks who do get lucky and submit stuff that gets recognized without the big bucks, but you're right, that takes lots of luck.
I've also learned over time that whether or not I like something doesn't necessarily relate to how many other people do. There are real and valid reasons why Baskin-Robbins has 31 flavors, and why Heinz had 57 varieties.
Jimmy himself has said, repeatedly, that you never know what people are going to like. Who would have predicted that a video by an old guy doing "Pants on the Ground" would take off? Pet rocks?
You *can* stack the deck somewhat, by making sure that whatever you're putting out there is the absolute best you can put out there, quality-wise. Make the songwriting excellent. Make sure you are in tune and singing on pitch. Make sure your production is radio quality. Don't s***.
And maybe, just maybe, 10-20 years from now, you'll become an "overnight success."