R.I.P., Doc Watson

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Tiki Torches
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R.I.P., Doc Watson

Post by Tiki Torches »

Doc Watson Bluegrass Legend Dies At 89 In Winston-Salem

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Written by Devetta Blount

Winston-Salem, NC-- Arthel Lane "Doc" Watson, recipient of the National Medal of Arts, a National Heritage Fellowship, and eight Grammy Awards died on Tuesday, May 29 at Wake Forest Baptist Medical Center in Winston-Salem, NC following abdominal surgery last week. He was 89.

Watson had colon surgery at the hospital last week.

Folklore Productiosn provided this obit information on the legendary singer: Doc Watson was born in Deep Gap, North Carolina on March 3, 1923, into a family already rich in musical tradition. His mother, Annie Watson, sang traditional secular and religious songs, and his father, General Watson, played the banjo, which was Doc's first instrument as well. At age thirteen he taught himself the chords to "When the Roses Bloom in Dixieland" on a borrowed guitar, and his delighted father bought him a $12 Stella.

He later picked up some chords from a fellow student at the Raleigh (NC) School for the Blind, and began to incorporate material that he heard on records and the radio with the music of his heritage. Back home he played mostly with neighbors and family, among them fiddler Gaither Carlton, who became his father-in-law when Doc married Rosa Lee Carlton in 1947. They had two children, Eddy Merle (named for two of Doc's idols, country stars Eddy Arnold and Merle Travis) and Nancy Ellen.

In 1953 Doc met Jack Williams, a local piano player, and began to play gigs for money. Doc stayed with Williams' rockabilly/swing band for seven years, a period and a style that he later revisited in the album Docabilly. But he also continued to play acoustic traditional music with his family and with his banjo playing neighbor, Clarence "Tom" Ashley. In 1960, spurred by the growing folk revival, folklorists Ralph Rinzler and Eugene Earle came south to record Ashley, and heard Doc Watson in the process. These sessions resulted in Doc's first recordings, Old-Time Music at Clarence Ashley's.

In 1961 the Friends of Old-Time Music invited Doc, Ashley, Clint Howard and Fred Price to perform at a now-legendary concert in New York City, and one year later Doc gave his first solo performance at Gerde's Folk City in Greenwich Village. From then on, he was a full-time professional, playing a wide range of concerts, clubs, colleges and festivals, including the Newport Folk Festival and Carnegie Hall.

By 1964 he had recorded his eponymous first solo album, and was represented by Folklore Productions, a relationship that continued until his death.

In the late 1960s, Doc was joined on the road by his son Merle, who provided both musical and emotional companionship; with Merle playing guitar and banjo and serving as partner and driver, the father-son team expanded their audience nationwide. After working for a while with the band Frosty Morn, they continued to tour with bassist T. Michael Coleman, and brought their music to Europe, Japan and Africa. A series of remarkable recordings, including collaborations with Flatt & Scruggs, Chet Atkins and the Nitty Gritty Dirt Band, helped make Watson the gold standard among traditional pickers.

Although he briefly stopped performing after Merle died in a 1985 tractor accident, Doc (accompanied by his grandson Richard Watson and guitarist Jack Lawrence soon resumed a full-time recording and touring schedule. He later teamed with banjoist David Holt, and the two shared a Grammy in 2002 for Legacy. In 2003 Doc reunited with Earl Scruggs and mandolinist Ricky Skaggs to film The Three Pickers, telecast on PBS. During his long career he recorded over fifty albums, many of which are still in print today.

Doc was a legendary performer who blended his traditional Appalachian musical roots with bluegrass, country, gospel and blues to create a unique style and an expansive repertoire. He was a powerful singer and a tremendously influential picker who virtually invented the art of playing mountain fiddle tunes on the flattop guitar. In 2011 a life-size statue was unveiled in Boone, NC, on the same spot where decades earlier the young Doc Watson had played for tips to support his family. At his own request the inscription reads "Just One of the People."

Although not a prolific songwriter, Doc and his wife Rosa Lee co-wrote "Your Long Journey," which was featured on the Grammy-winning album "Raising Sand" by Robert Plant and Alison Krauss.

It begins:

"God's given us years of happiness here
Now we must part
And as the angels come and call for you
The pains of grief tug at my heart

Oh my darling
Oh my darling
My heart breaks as you take your long journey."

He is survived by his wife of nearly sixty-six years, Rosa Lee Carlton Watson, and their daughter Nancy Ellen, as well as his grandchildren Richard Watson and Karen Watson Norris, several great-grandchildren, and his brother David Watson, not to mention thousands of guitarists worldwide who fell under his spell. As President Bill Clinton said, in awarding the National Medal of Arts, "There may not be a serious, committed baby boomer alive who didn't at some point in his or her youth try to spend a few minutes at least trying to learn to pick a guitar like Doc Watson."
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Re: R.I.P., Doc Watson

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SchoolGirlHeart
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Re: R.I.P., Doc Watson

Post by SchoolGirlHeart »

Sail on, Doc. :(

Heaven's band is far richer tonight.
Carry on as you know they would want you to do. ~~JB, dedication to Tim Russert

Take your time
Find your passion
Life goes on until it ends
Don’t stop living
Until then

~~Mac McAnally
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Re: R.I.P., Doc Watson

Post by conched »

Sail on, Doc Watson...

"I have heard Doc Watson sing Columbus Stockade Blues."
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Re: R.I.P., Doc Watson

Post by dnw »

Sail on, Doc.
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Re: R.I.P., Doc Watson

Post by CrznDnUS1 »

Sail on Doc, Thanks for the many good times,
"The most aggravating thing about the younger generation is that I no longer belong to it." - Albert Einstein
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Re: R.I.P., Doc Watson

Post by Karacal »

Sail on, Doc.....
Barbara

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Re: R.I.P., Doc Watson

Post by Tiki Torches »

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This album served as my introduction to Doc Watson back in the 70's. One of my older brothers stumbled upon it in the budget bin at Woolworth's department store in Goldsboro, NC way back when. The album is the soundtrack to a film of the same name. The clip I posted above comes from the movie which is comprised mainly of home movies shot in and around Earl's place in NC. The movie was shown once on PBS back in the early 70's and then disappeared into the vaults. Thankfully, it was finally released to the public on DVD back in the mid-00's. It can also be seen online in it's entirety here:



Finally, I saw Doc in concert for the first time at MerleFest in North Wilkesboro, NC in 1997 and again in 1998. Nothing could have prepared me for what a treat I was in for. Doc was scheduled to headline a tribute to himself at the Museum of Art in Raleigh on June 30th which has now turned into a memorial concert. The concert will be preceded by a symposium that afternoon. For more information on these events, go here.
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Re: R.I.P., Doc Watson

Post by rich_big »

I was sorry to read this news....
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Re: R.I.P., Doc Watson

Post by Tiki Torches »

To Hear Doc Watson, You Really Had to See Him
By RY COODER

Beyond recordings: Doc Watson, the guitarist and folk singer, in the 1960s.
Doc Watson, who died on Tuesday at age 89, was the first truly great guitar
player I ever saw up close. For me, growing up in Santa Monica, Calif., in the
1950s meant that great musicians were only manifested on records and radio,
making it hard to catch a glimpse of the person behind the layers of sound and
presentation. You knew people like Hank Snow and Merle Travis were great, but
you couldn't be sure how much the Nudie suits and custom boots had contributed
to the sound you heard on KXLA radio.

Then, Doc and the banjo player Clarence Ashley and some of the boys drove out to
Los Angeles for the first U.C.L.A. Folk Festival in 1963. On the lawn by Royce
Hall, the gothic classical music venue, they gathered around and sang "Daniel
Prayed," an intricate call-and-response-style gospel tune. The public was here
and there, wandering around aimlessly, like they do at these events. It was
casual and unannounced — we hadn't entered into the hyperorganized way of music
appreciation just yet — that came later with the big rock shows.

Fred Price led the song with his old man's ghostly voice, Clint Howard joined in
on farm-boy tenor and Doc added his resonant bass, which was severe and
shocking. In their tradition, the instruments are rested and the song is like a
breathing exercise. Daniel prayed every morning, noon, and night, it says. I
wondered if there were more people right there on the lawn than had ever
assembled in their church back home in Deep Gap, N.C., to hear about Daniel and
the nonstop prayer, but that didn't bother Doc and the boys.

Then, Ed Pearl, the owner of the folk music club the Ash Grove, took them away
somewhere to get a sandwich. Their place back home would probably just about fit
in between the lawn and the food tent, I remember thinking. I also remember
thinking that these men know something about music I'll never know, even if I
practice and study all my life. You have to be born into it. That way, every
note and word and gesture has meaning, and your notes and sung words line up
with those of your friends and make a whole statement about life that is tiny
but eternal. Now another rounder has gone. Doc made many good recordings, but
you needed to be in his close presence to pick up the sound of his life and
times; the microphone can't do that for you, I'm sorry to say.

Later that day, I was sitting on a bench playing guitar, and Doc and Ed Pearl
walked by. Doc stopped and listened. "Who's that?" he asked Ed. "That's Ry
Cooder, he's a youngster."

"Sounds pretty good," Doc said, and they walked on.
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Re: R.I.P., Doc Watson

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Re: R.I.P., Doc Watson

Post by sunseeker »

merlefest will not be the same
There's this one particular harbor.....
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Re: R.I.P., Doc Watson

Post by Tiki Torches »

sunseeker wrote:merlefest will not be the same
No, it won't. I'm glad I went in the late 90's when I could still see Doc. I've heard rumors (prior to Doc passing) that it's outgrown the community college campus site and may be moved to a new location next year.

Another great tribute to Doc, this one from local poster artist Casey Burns from this week's issue of Durham's Independent Weekly:

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sunseeker
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Re: R.I.P., Doc Watson

Post by sunseeker »

Tiki Torches wrote:
sunseeker wrote:merlefest will not be the same
No, it won't. I'm glad I went in the late 90's when I could still see Doc. I've heard rumors (prior to Doc passing) that it's outgrown the community college campus site and may be moved to a new location next year.

Another great tribute to Doc, this one from local poster artist Casey Burns from this week's issue of Durham's Independent Weekly:

Image
It is HUGE these days. However, would hate to see it moved. The setting there in Wilkesboro is what makes it so special. The stage set into the side of the hillside, the trees, rolling foothills....sigh....wish we could have made it this year....
There's this one particular harbor.....
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Re: R.I.P., Doc Watson

Post by sunseeker »

Tiki-

Not to get off topic and not sure if you are a Willie Nelson fan but he is playin Pinnacle, NC in July! :o
There's this one particular harbor.....
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Re: R.I.P., Doc Watson

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sunseeker wrote:Tiki-

Not to get off topic and not sure if you are a Willie Nelson fan but he is playin Pinnacle, NC in July! :o
Thanks for the heads up, I'm a huge Willie Nelson fan.

Back to Doc, here's the article from this week's Independent Weekly that accompanies the illustration above. Even if you're not a Doc Watson fan and even if you've never heard of him, it's well worth the read.

The Regional Loyalty and Stylistic Liberty of Doc Watson
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Re: R.I.P., Doc Watson

Post by sunseeker »

great article Tiki- Thanks for posting....
There's this one particular harbor.....
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Re: R.I.P., Doc Watson

Post by Tiki Torches »

sunseeker wrote:great article Tiki- Thanks for posting....
Goes to show that even if someone thinks they may not like country, bluegrass, folk, etc. that you never know until you actually listen. That's not meant to sound preachy, I'm just going by what I personally got out of the article. I was familiar with Doc for a very long time before I ever saw him perform at MerleFest but there's nothing I heard on those records that could have ever prepared for how blown away I'd be by hearing (and seeing) him perform in person. "Mind blowing" doesn't even began to describe it. For those that may be put off by "roots" music, Doc could also rock with the best of 'em and had a very open mind when it came to music. All it takes is a quick glance at the roster for MerleFest over the years to reveal that.
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Re: R.I.P., Doc Watson

Post by sunseeker »

Tiki Torches wrote:
sunseeker wrote:great article Tiki- Thanks for posting....
Goes to show that even if someone thinks they may not like country, bluegrass, folk, etc. that you never know until you actually listen. That's not meant to sound preachy, I'm just going by what I personally got out of the article. I was familiar with Doc for a very long time before I ever saw him perform at MerleFest but there's nothing I heard on those records that could have ever prepared for how blown away I'd be by hearing (and seeing) him perform in person. "Mind blowing" doesn't even began to describe it. For those that may be put off by "roots" music, Doc could also rock with the best of 'em and had a very open mind when it came to music. All it takes is a quick glance at the roster for MerleFest over the years to reveal that.
For years, I despised country, bluegrass, etc. I was strictly a rock kind of girl. I think it went back to me hating where I grew up..

But now. I love and appreciate bluegrass, country, etc. Heck, I listen to more those types of music than rock these days...
There's this one particular harbor.....
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Re: R.I.P., Doc Watson

Post by Tiki Torches »

I was raised in a household with four brothers and one sister. Between them and my parents the music I was exposed to included Johnny Cash, Janis Joplin, Elvis Presley, Frank Sinatra, Conway Twitty, Aretha Franklin, Kenny Rogers, James Brown, Loretta Lynn, Steppenwolf, Alice Cooper, Earl Scruggs, Jerry Jeff Walker, Black Sabbath, Leon Russell, Bob Marley, John Prine, Led Zeppelin, the Beatles, Little Feat, Bob Dylan, Frank Zappa, Peter Tosh, the Grateful Dead, Willie Nelson, Waylon Jennings, Johnny Winter....the list just goes on and on. Being exposed to such a wide variety of music has proved to be both a blessing and a curse for me but I don't regret a single second of any of it. I think it's made me more well rounded musically. Unfortunately, some have taken that to mean that I'm snobbish or elitist when it comes to music when it fact it's quite the opposite.
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